Blue Rodeo at Safari Niagara July 20, 2012
My favourite Blue Rodeo album is Casino. I had bought the cassette tape back in 1991 after falling in love with the black and white video of the guys playing Trust Yourself in the snow. I still think that song is fabulous, and so different from anything else the band has created. As I played that tape endlessly, side after side, I would find myself singing What Am I Doing Here throughout my work day, and I lingered over the emotions of Montreal and After the Rain, the latter probably getting the most airplay in my little cassette player!
Although these and many other Blue Rodeo melodies became part of my soundtrack of growing up, I had never experienced a live performance of theirs - I was starting to feel like the only Canadian ever to utter such words! It just never ended up working out for me.
Last year, while we were enjoying a Sarah McLachlan concert, Greg Keelor appeared before us on stage - a complete surprise to us - to perform the haunting Dark Angel. Then this past May, I was a member of the open air audience at The Jim Cuddy Band's performance as part of the revered Illuminaqua Series in Welland. And at that time, I was already the proud owner of tickets to see Blue Rodeo perform at Safari Niagara.
It was a neat venue, spread out like a huge grassy bowl that offered a fine view from any angle. The calm air was warm and comfortable on that Friday night, mercifully less humid than on its surrounding days.
It was a fantastic show, as masterful and satisfying as I expected it would be. I enjoyed hearing Greg Keelor's unique raspy voice and harmonizing. And Jim Cuddy's still got it: that great head of hair and that unbelievable vocal range. He repeatedly rendered us spellbound not only by hitting those high notes we're used to hearing in songs like Try, but by surpassing them!
I think my favourite performance of the night was delivered when he snuck back to the piano and weaved his melodic mastery on After the Rain. He didn't just sing it, he used his voice as an instrument and delivered a solo performance that was no less mesmerizing than the guitar solo on Diamond Mine or the unexpected piano solo on Five Days in May. I don't know if it was this expression of talent, the syncopated lighting that accompanied it, or my sheer love of that song, but I was quite certain I never wanted it to end!
But eventually, of course, it did. The band finished the evening with the romantic Lost Together that lingered nicely in our minds as we lay back onto the grass relaxing contently as the herd of people filtered out into the parking lot.